When you’re home on your own. When you’re certain you won’t be overheard or interrupted by someone walking in on you.
When you strip off all your clothes, draw the curtain (or close the glass door) and stand wet and naked in the steam…
It doesn’t take long before the urge strikes. And I should know, I’m guilty of indulging myself all the time.
Because if there is one time we can truly feel like an unstoppable, divatastic, hot-as-hell whipass…it’s when we let loose and sing – really loudly – in the shower.
It doesn’t matter whether you are channeling Bono or Freddie or Gaga or Miley or even Pavarotti (may the big man rest in peace) – in the shower you get the kind of voice you only ever dream you have. Sometimes it feels like you can sing anything you want. For as long as you like (and still be able to speak afterwards – bonus!)
You see, the shower is one of those “perfect places”. A zone where everything comes together to make you a bigger, better, more resonant version of you.
The warm steam gives you clarity of voice and opens up your lungs. The standing-there-naked-and-alone-thing (unless you fancy singing a duet) gives you the psychological freedom to let it all – literally – hang out.
And really, how can you be self-conscious about the sound of your voice when you’re standing there completely naked, performing to your collection of toiletries, the assorted marine life on your shower curtain and possibly even a rubber duck? No inhibitions left by then, my friend.
But the real reason the shower is so appealing is the acoustic.
All of that porcelain and glass come together to bounce around the sound like an adoring groupie, buffering and polishing it, shining it up just for you. So by the time it comes back, what you hear is so damn resonant that you can’t help but feel like a total superstar. You just sound so good.
(If you want to know what the opposite of the shower-singing-halo-effect is, then go find yourself a recording studio. They are built to be acoustically dead so that the engineer can give the sound his own special brand of multi-track loving. I’ve also been in warm up rooms the size of small wardrobes with walls of carpet, which I believe are even worse, like the acoustic undead. You can only ever leave a space like this regretting you ever became a singer in the first place.)
The thing is – if you were to play your rock star shower set somewhere dryer and more public, like the street outside your favourite cafe, or standing on a bench in the park, or at the entrance to the underground, how would it sound? Would the looks of the passers-by put you off? Would the wider open spaces render you small voiced and timid?
Chances are you would probably be too self-conscious to even start…to allow yourself one tiny little fragile note in public.
It’s not the acoustic but how the acoustic makes us feel.
We can judge ourselves so harshly when we believe the acoustic – our audience – is unfavourable. We stand up and muster the courage and conviction to say something, but all we get is poor feedback. So we start to doubt or even dislike what we hear, which only makes it even harder to say the next thing with any confidence. And it’s a feedback loop that can really drive us into the ground.
Because when you play to an acoustic, the space is both physical and emotional. The walls will either absorb or reflect the sound. Your audience will either respond to what you are saying or switch off and let it go over their heads. The trick is to learn to play with the acoustic, not to let it grind your confidence down. If the room is dead and you’re not getting anything back, the worse thing you can do is push even harder.
Better to stay focused on your core sound – your message – and trust in it enough so that you can deliver with the same rock star confidence regardless of the acoustic “feedback”.
This is why singing in the shower can teach you a truly valuable lesson – that you are only as hot as you think you sound. So don’t let a supposedly “dead” and unresponsive acoustic get you down. Remember that it’s better to say (or sing) what you really want with as much abandon and liberation as you can, because the value of what you get back is really all in your head. Keep thinking “I rock”, and chances are you will.
Have you ever experienced the shower-singing-halo-effect outside the shower? Have you ever played to an undead room full of acoustic spongy types who gave you nothing back? Did it get you down or make you stronger?
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{ 6 comments… read them below or add one }
Wow. This is *exactly* what I needed to read today.
I’ve been so preoccupied with pleasing my audience lately, I’d forgotten how to enjoy the resonance of my message. (blown away)
A million times, thank you. The reminder is just the medicine my heart needed.
And the shower thing? Totally guilty.
Jennifer Hofmann´s last blog ..How are you doing today? (Really.)
The bedroom that my daughters share has amazing acoustics, so I’m forever rockin the lullabyes!
I love that you have put your finger right on the button about trusting in the sound we make. To hold onto our “message” and know that it’s enough in less resonant spaces. To imagine that even in intimidating surroundings we can tap into that “carefreeness” we have in the privacy of our own shower cubicles and sing with abandon. The enhancement of amplification doesn’t make us hotter or have more beautiful voices. We are just fine as we are.
Hi Natalie
Loved your ’singing in the shower’ analogy. It really resonated with me (if you’ll pardon the pun!) As a freelance writer, there are plenty of times when I feel I’m ’singing’ to a room that simply absorbs my sound, and an ‘audience’ who isn’t interested in what I have to say.
But like you say, it’s a matter of maintaining enough self-belief to keep on ’singing’ each day, regardless of the feedback level.
Cheers
Fiona
Thanks Fiona – I know you’ve suggested before that one of your biggest challenges is keeping the strength and exuberance and confidence of your vision and “voice” even when you’re not getting the feedback you need/want…
I think singing in the shower is about “singing as if no one is watching” and trying to capture that abandon in every moment – not just when you think you’re alone!
Natalie, this post about believing in your own voice and the resonance of the message is a wonderful extension to your thoughts shared in a previous post about performing to the audience that gets you!
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